Powering My Ride by Erin Wade

I knew when I got my Catrike Pocket I'd need to devise a setup to mount and charge my iPhone.

For the phone mounting purposes I used a Rokform Pro Series iPhone Bike Mount. I have used Rokform cases to protect my phones from myself back to my iPhone 5 days. The cases offer a mechanical mounting system and a magnetic mounting system, and uses the two in combination for the bike mounting system to make your phone extra secure[^1].

Rokform Mount

As I've mentioned here before, when I go out riding my iPhone gets heavy use. I use Cyclemeter to track my speed, distance, and route, and that involves having the screen lit throughout the ride so I can get the feedback from the app. I'm also typically playing either an podcast or an audiobook to headphones over Bluetooth. These are battery intensive tasks and, especially on longer rides, even a fully-charged, plus-sized iPhone may run low. Since the phone is also my lifeline if I run into trouble, I need it to remain functional throughout the ride. This means I need a way to charge the phone during the ride.


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On my Cannondale I put together a fairly basic setup using a USB cable and a Mophie Powerstation dropped into the bike's frame bag. This worked well enough, and I've used a variation of that setup for a little while on the Catrike, with a battery pack in one of the saddlebags. But I wanted to improve on this arrangement. Last fall I picked up a battery with a solar panel. While it takes some time to fully charge using the solar panel alone, once it has an initial charge the solar panel can defray the power loss and extend the length of a charge. I have a rear rack on the Catrike, so it wasn't much of a leap to put the battery out in the sun on the rack.

I originally tried strapping the battery to the rack using elastic straps. Unfortunately the straps blocked some of the solar panel and, worse than that, rattled like crazy on the aluminum rack. My solution for this was Velcro. Specifically, getting a roll of Velcro with an adhesive back and set the soft side on the rack.

Velcro Battery Pack

To connect it all I ran a 10 foot braided nylon lightening cable up through the seat and attached it to the frame at either end using Velcro wrap thin ties[^2]. 10' is longer than I need for this application, but I like having the extra, so I have the extra coiled up in the saddlebag.

The whole kit

Ready to hit the road

The result of this? After getting everything set up I took my Sunday ride. I was out for a little over an hour. I ran the screen the entire time, bright enough to see it in full sunlight, using Cyclemeter (which runs the gps), and listened to an audiobook. I stopped a couple of times to take pictures along the way as well. When I arrived at the end of the ride the phone battery was at 100%, and the battery pack on the back of the trike was at 75%. This suggests I probably could have ridden another three hours before I put a dent in the charge on the phone itself. The Velcro attachment worked a treat - my ride was 14+ miles, and included some gravel. I heard no rattling, and came home with the battery firmly attached.

Because of where the phone sits, my right leg hides the bottom part of the screen at times when I'm riding. Still, while it's close I don't actually hit the phone, and Utah Trikes seems to make additional attachments that I could consider for mounting the phone down the road. For the moment, it appears to work well enough.

Until and unless I start on much longer rides, I think this will work well. And, as far as that goes, there is room on the rack for at least one more battery. All in all, I'm pretty happy with this arrangement.


[^1]: I've used a variation of this on my Cannondale - the bike mounts are built to work with the top cap of a 1/8" threadless tube, which is common on modern bikes, but predates my vintage Cannondale, so there I used the Rokform motorcycle mount attached to the handlebar. The motorcycle mount is more expensive, though, so I was pleased that the 1/8" threadless mount worked for the Catrike.

[^2]: These are sort of like reusable Velcro tie wraps. They come in rolls of 25 wraps, and once you have them you'll find dozens of uses for them around the house. They are pretty awesome.

Another Fine Myth by Erin Wade

Another Fine Myth Cover

I periodically enjoy going back and consuming entertainment from my youth - movies, TV shows, music, and books that I have fond memories of and/or remember enjoying. Sometimes this is more successful than others

When I'm in this mood in relation to books from my past, I will check Audible to see if they happen to have been produced as audiobooks yet. There was a long, dry spell for this in the early years of the service - apparently science fiction and fantasy novels from the 1970's and '80's were not viewed by the company as a growth market (I can't imagine why). This seems to have changed over the past several years, I suspect due in part to the increased level of resources made possible when the company was purchased by Amazon.

The MythAdventures series by Robert Aspirin has been one of the collections I periodically check for. I read and re-read these over and over again as a pre-adolescent and teenager. I remember the books being fun, and each was relatively brief - they were, frankly, just about the perfect type of book for bringing to class and reading under the desk while the teacher droned on and on about... well... about whatever they were talking about. How should I know? I was lost in another world.

I don't recall exactly what made searching for the MythAdventures occur to me this time. Often it's little things - someone, somewhere, offering a turn of phrase that reminds me of the books might do it. But regardless, I decided to take a look a few weeks ago, and there they were!

Another Fine Myth is the first book in the series, and it's apparently been available on Audible since April of 2013 (I would swear I do these types of searches a couple of times a year; clearly my perception of time is a little off).

There is risk to going back in this way. Somethings turn out to be as wonderful as one recalls, and others turn out to be... disappointing. I am frightfully aware of this each time I take this plunge. Fortunately, my return to the universe of Aahz and Skeeve was an enjoyable one.

This first book is an introduction to the characters and the universe, as one might expect. It is a little bit friendly satire - poking fun at the tropes of the fantasy novel universe of the era - and a lot of silly, with self-aware use of puns and delightful turns of phrase (for example: Aahz is from a dimension called Perv, the inhabitants of which are called Pervects, he insists, but which everyone else refers to as Perverts...). In many ways, what The Hitchhiker's Guide was to science fiction novels, the MythAdventures series is to fantasy.

The book holds up well - in most ways it reads as a road novel, moving from place to place with each setting a backdrop for the fun the author wants to have. There is a central storyline - a bad guy who wants to rule all of the dimensions must be stopped - and it reads fine, but it is secondary to the overarching mission of the book, which is to have some fun. The narration is mostly good, and I see that it's the same narrator for almost all of the books, which is always preferable. It's not perfect - the narrator forgets the voice he used for one particular secondary character later in the book, a failing that is easy to notice in such a short piece. Still, overall the reading is good, and complements the story. Some of the lines in the book actually benefit from hearing over reading, particularly the introduction between the two main characters: "my name is Aahz - no relation".

Although I lost track of the series towards the end of the 1980's, Wikipedia tells me that Robert Asprin went on to write another 11 books in the series on his own, and teamed up with author Jody Lynn Nye to write several more up till Aspirin's death in 2008. Nye has written at least two additional books in the series since then, with the most recent coming out in 2016. Ordinarily I'd be dubious about co-authored books, but Robert Aspirin had a long history of collaborative work, most notably the Thieves World fantasy series, which I also remember fondly (but which is not available on Audible. Perhaps I should say not yet - whaddya think, Audible?). This gives me some confidence in the collaboration that I might not otherwise have.

If you lean towards fantasy novels, and are looking for something fun to fill a few hours of time - this could easily be read or listened to in one long sitting in the car, on the beach, or under a tree in the woods; or perhaps over multiple sessions in the back-yard hammock - I can heartily recommend Another Fine Myth. I enjoyed it enough that I've already dropped the next two books in the series into my Audible shopping cart.

Biking Through Illinois Roadsides by Erin Wade

Travel thru the state of Illinois by interstate, and one could be forgiven for thinking that there's nothing to see but acre after acre of corn. Get onto a bike (or trike) and venture out onto the rural backroads and there is nature aplenty.

IMG_4725.JPG

These pictures are from my Sunday ride, which included a trip through, and in the vicinity of, the tiny borough of West Brooklyn. Parts of the route run along the south side of the Richardson Wildlife Foundation, which offers up views like this:

Lots of False Sunflowers

And while Montana is officially big-sky country, when you find the right spot, Illinois has some of that to offer as well...

Big-Sky Illinois

That's a patch of sunflowers in the middle distance, I suspect planted by the Richardson folks to attract and feed the wildlife. All in all it made for a lovely Sunday ride.

Support Your Local Bike Shop by Erin Wade

A short while back I went for a ride on the Catrike Pocket on the Perryville bike path in Loves Park, with a goal of riding up into Rock Cut State Park. This is a route I've taken many times, and riding it from the vicinity of Rockford Bicycle Company up into and around the park road and back is just shy of 12 miles. It's a winding path that follows along Perryville road in Loves Park for a couple of miles, and then up through the woodland that leads into and surrounds the park.

Unfortunately, on this particular ride I came up with a flat tire about 3 miles in. It had occurred to me that it would be good to have replacement tubes in the bags on the trike for just such an occasion. Unfortunately, occurring doesn't equal doing, so I had only that thought to accompany and comfort me as I walked myself and the trike the nearly three miles back to the car.

I did stop in at Rockford Bicycle Company to see if they could address my tire. The folks there have worked on my bikes many times, and they've always been very pleasant and helpful, and this day was no exception. Unfortunately, the wheels on the Catrike are smaller than typical bike wheels, and no shop in the area carries recumbent trikes as a sale item. After a valiant effort of looking throughout the store, they did not turn out to have the correct size. I thanked them, loaded up the trike in the car, and moved on.

This issue in mind, I took to Amazon and ordered tubes to fit both of the front wheels and the back wheel (the back is a different size - larger - than the fronts). This all happened shortly ahead of our trip to Detroit, so when the tubes arrived I set them aside and resolved to address it when we returned.

It occurred to me, as it has on several previous occasions, that I really don't have much experience changing bike tubes, and that it would be good to practice so that I would be more adept the next time this happens and I need to change the tire at the side of the road or trail. With this impeachable logic, I resolved to do it myself. I watched a couple of YouTube videos and, armed with my multi tool, I took my shot.

What happened next was not an inspiring tale of self-sufficiency...

I have changed bike tubes once or twice before. It's been a very long time between events - I've been riding bicycles of one stripe or another for something in the neighborhood of forty years, so my ratio of ride time to tube changes is minuscule at best. And that poor ratio shone like a laser pointer in my eye through the entire experience.

For example, I didn't have tire levers, or I thought I didn't. The multi-tool handles turned out to be meant to function as such, which I figured out after a bit. And the tire over the tube turned out to be extremely tight. I suspect this is a function of its small diameter compared with a typical bike tire. While I was able, with quite a bit of effort, to get it off the wheel and get the tube out, getting it back on was considerably harder. It ultimately took about two hours of bending and pulling (and sweating and swearing) before I resorted to using a screwdriver to get the tire back on the rest of the way.

This is the sort of decision that one realizes is probably a mistake when one makes it. The use of a metal implement around a rubber item that is meant to hold air is less than ideal. But it's the sort of decision that one makes out of fatigue and desperation with the hope that this time, this one time, it will work out okay.

It did not.

After a bit of swearing and stomping about (yes - I am sure you would be much more mature than I in such a moment) I decided learning time was over, and checked the hours for Bike Works in Peru. It looked like I had time (Peru is about a half-hour away).

As has been my experience there in the past, the folks at Bike Works were very pleasant and helpful. They also do not, to my knowledge, carry recumbent trikes, and so did not have a tube in the correct size. Anticipating this, I'd brought mine along and, that settled, they got to work on my trike.

Watching this was a little like watching Norm build a chair on New Yankee Workshop. He used real tire levers to pop off the tire and pop out the old tube. The new tube went on, and he did say that the tire itself was very tight, which made me feel vindicated. That feeling lasted for about five seconds - right up to the point at which he then popped the tire back on using his bare hands...

All told, they got me in and out in about 15-20 minutes, and the repair itself was an extremely reasonable - it cost me less than ten bucks.

All of this is a reminder that illustrates for me how important it is to support your local bike shop. Over the years I've had experiences with multiple local bike shops, in multiple towns. To a place and a person I've found them to be helpful in getting and keeping my bikes on the road. In this case, the total time I spent traveling to and from Bike Works, and getting the repair finished, was less than the time spent in the garage working on it myself. It also involved considerably less sweating and swearing on my part.

And - lessons learned from this in relation to my ongoing recumbent trike experience:

  • Order and carry your own tubes. It's always a good idea to have spares on the bike or trike if possible as a general rule, but with the trike you should be prepared to provide them when getting a repair.
  • Your local bike shop can almost certainly repair or replace your tubes faster than you. Let them when you can. It's not expensive - the time spent unfrustrated and getting back to riding alone more than makes up for it.
  • The rule above also applies for virtually all bike or trike repairs and tune-ups that don't need to be done on an emergency basis. Let your bike shop handle it - you will be happier.
  • I do still need to learn to change my own tubes - at some point I'm going to be out somewhere where I'm too far out to want to walk back - and I did buy a set of tire levers to keep on the trike in case of just such a situation. But probably this will need to involve practicing with the right equipment, and when I'm not also really, really wanting just to get it done so I can ride.

Tom Bihn Synapse 25 - Six(ish) Month Update by Erin Wade

Back in December of 2016 I purchased a Tom Bihn Synapse 25 and, after a couple of weeks of ownership I wrote up an initial review.

I've now been using this backpack for over six months, and that time allows for a few additional observations on it. When I first ordered it, it was in part because I was traveling more, and wanted the ability to carry more things in a single case. My primary concern, then as now, was things like workout clothes, and it has worked nicely for this. But I also bravely predicted:

The central compartment swallows a lot of stuff. I can easily fit a martial arts uniform and basic gear (belt, ankle brace, mouth guard) or winter biking gear along with a bag of trail mix or a lunch bag. In fact, if you aren't a heavy packer I suspect this bag could easily be used as a carry-on for flights.

I've had the opportunity to use the Synapse for multiple overnight trips, and the central compartment readily manages everything that is needed for such a trip. What's more, having the single bag to keep track of simplifies the travel quite nicely.

And the carry-on question? That turned out to be more interesting than I expected.

In my relatively limited air-travel experience, it seems that most airlines will allow you both a carry-on item - generally a small luggage item - and a "personal item" in the cabin. The dimensions of the carry-on luggage are pretty well established - there's usually a metal frame at the gates you can stick your carry-on bag into in order to see if it fits, and several luggage companies make specific pieces designed to fit within that size window. The size of the "personal item" is less well defined, but as a general rule seems to involve being able to fit under the seat in front of you. In the past I've used my Ristretto as my personal item, it being able to carry my iPad, iPhone, wallet, etc, nicely enough.

For our recent trip to Detroit - a five day adventure - I decided to put my previous prediction, as well as my minimalist packing skills, to the test, and use the Synapse as my carry-on luggage. I also brought along my Ristretto, figuring I would pack my iPad and such in it after I arrived at the airport and use it as my personal item.

The Synapse worked quite nicely as a carry-on item. In most respects this is not surprising - it's measurements are just below the standard size requirements for such an item. What was more surprising was this: it actually appears to work as a personal item.

Which is to say that, tightly packed with clothing and hygiene supplies sufficient for five days of stay in The Motor City, as well as my iPad, and all of my usual supplies (minus my Swiss Army knife and nail clippers, of course) the Synapse fit under the seat in front of me. While I packed the Synapse in the overhead and used the Ristretto on the way to Detroit, I set aside the Ristretto for the way back and simply slid the Synapse under the seat in front of me at the required intervals.

Your mileage may vary, of course - this one example may not be indicative of what other airlines, or other circumstances, might allow. But it did mean that I had access to all my stuff while in my seat, and did not have to experience the relative risk of my bag being in a compartment which may or may not have been near me.

This trip also allowed some additional comparison. LB and I were flying together for this trip, and we used similar backpack packing strategies. One of the things I noted, however, particularly on the way home, was that LB kept taking their backpack off and carrying by the handle strap, or simply setting it down. When I asked why, LB said that the pack was making their shoulders sore. I suggested we swap bags for a bit.

LB was using the backpack that they also use for school. It's a standard, big-box store bag that one might typically see as a part of a wall-o-backpacks. It's approximately the same size as the Synapse, and LB has been using it for the better part of the past year to cart books and such back and forth.

About five minutes into wearing it, it started to make my shoulders sore.

Whether it was the angle of the straps, or the amount of padding, or how they were designed with respect to the weight distribution of the bag, I can't say. What I can say is that the bag provided a cutting sensation into my upper shoulders that I've never experienced when carrying the Synapse, and it took virtually no time at all for the discomfort to present. At the same time LB pronounced that the Synapse was significantly more comfortable to carry than their backpack. I suspect I may have to keep a vigil to prevent its disappearance...

As for the rest at six months - the bag shows virtually no wear and tear at this point. The central water bottle holder still works very nicely, and I've only managed to spill my coffee in it once (so far). The only complaint I might have in that regard is that the bottle pocket is not water- (or coffee-) proof, so this event (which involved me carelessly setting the bag down and walking away, not realizing that it had fallen over with the travel mug inside) resulted in coffee filtering down into the adjacent pockets.

This may have, possibly, been more my fault than that of the bag. Maybe.

I can say that it cleaned up quite nicely with a little stain spray and then wiping down with a wet cloth, and no longer bears the signs of this unfortunate event. I do have a fair amount of practice dealing with coffee stains, but I was surprise at how completely they came out of the material. Going into it I was resigned to going from having an orange backpack to now having a backpack best described as "orange with coffee highlights"...

As with all of the Tom Bihn products, the Synapse is not inexpensive. However, as is often the the case, where the extra cost reflects thoughtful, careful design, it readily turns out to be worth the difference in price.

Detroit by Erin Wade

Over the Fourth of July weekend we were in Detroit for the 2017 National Tae Kwon Do Championships. Aside from the martial arts extravaganza, one of the things I've always enjoyed about these types of events is that it can provide an opportunity to see places you otherwise might not.

But seriously - Detroit?

We all know that Detroit is The Motor City, and the home of Motown. But honestly, most of my mental picture of Detroit is formed from the movie The Crow and the various works of Eminem.

Still, that's where the tournament was, so that's where we were going. I pictured spending a lot of time in the hotel room in-between formal events (the hotel was a different story - is there a Crowne Plaza in the nation that has been re-decorated later than 1987...?).

Turns out that Detroit - or at least the broad downtown section that contains the Cobo Center - is under revitalization. And it shows. While there are a handful of buildings that are in very poor condition, those that we encountered are under construction. And the city has built a downtown park - called Campus Martius Park - which puts a lovely central focus point on the region.

Michigan Soldiers and Sailors Monument

The Michigan Soldiers and Sailors Monument sits at one entry point to the park. The park itself contains many of the things that one would expect - trees, tables, fountains, a bandshell, people reading, talking, playing chess. It also contains a huge sandbox (called "the beach") and an outdoor bar. This, as one might suspect, makes it a lovely space for people of all ages to congregate, and the park was well attended. This was lovely enough that we chose to spend time there on a couple of different days that we had open.

This area is also very bike-friendly, and the city has recently incorporated a bike-sharing system similar to that found in other cities. There are multiple restaurants within a short walk of the park, including a Hard Rock Café, a marvelous breakfast place called The Dime Store, and a little further down, the Detroit Beer Company, a local brewpub.

Detroit Beer Company

We also took a ride on the Detroit People Mover, did a walk-thru at the General Motors building, and spent a short period of time walking through the small Greektown the city offers.

The experience wasn't flawless. The city does have a homelessness problem, and when walking to breakfast we encountered one man laying splayed on the sidewalk such that it was unclear whether he was sleeping, or waiting for someone to make a chalk outline around him. He was gone when we passed back that way, so it was likely the former.

The city probably benefitted somewhat from low expectations - I wouldn't recommend it as a vacation destination by itself - but all in all, the experience was much different than I expected, and far more pleasant.

Catrike Factory Video by Erin Wade

As often happens, the acquisition of my Catrike Pocket has caused me to begin exploring online for information about my particular trike, available accessories, and recumbent trikes in general. This has led me to a great many places, but one particular site is a treasure trove of information - BentRider.

BentRider is a recumbent bike and trike (and it appears, mostly trike) news site with a deep archive of back posts. It would be a good first stop for anyone interested in starting to gain information about these machines, as well as trying to get information about the machine one already has - for example, I was able to sort out information about the specifics on my particular trike by finding the post for Catrike's 2012 release notice.

Going through that archive will also periodically allow you to come across little gems like the video below - a 12 minute tour of the Catrike factory in operation. As BentRider notes in their original post, there is no narration - "just pure trike-building porn". Watching it reminds me a little of the old-style factory videos - where the camera followed a piece through the production process - that used to play when I was a kid.

Drag and Drop on iPad: by Readdle by Erin Wade

At the World-Wide Developer's Conference (WWDC) on June 5th, 2017, Apple made a number of announcements, among them significant changes coming for the iPad in iOS 11.

One of the changes garnering the lion's share of attention is the upcoming addition of drag-and-drop capability to the iPad. This isn't entirely new - there has long been the ability to drag around items within a given app, but not between them.

This represents a significant advance for the iPad in general, and is particularly exciting for those of us who work at or near an iPad-only status. Unfortunately, it's mostly a tease at the moment. iOS 11 won't come out until the fall, and while it is possible to sign up for early beta's of the software, working with an operating system still in development on one's work devices simply is not the wisest of choices.

However, if you are looking to get some experience with how drag-and-drop works now without taking the risk of using a potentially unstable operating system on your production machines, Readdle has you covered.

Their announcement likely got a little lost in the excitement of WWDC, but back at the end of May, Readdle announced the capability to drag and drop files between their apps - specifically between Documents, Scanner Pro, PDF Expert, and Spark. I use all of these apps except Documents (PDF Expert largely replicates the capabilities of Documents while adding the PDF functionalities), and I'm pleased to say it works extremely well.

Say you've received some documents via email that you want to review and mark up. Open your email in Spark, and open PDF Expert in a split window, and simply drag the files from the email across to the folder you want in PDF Expert. It's that simple and straightforward. You can see it in their video, below:

The utility of this is quickly obvious, and Readdle has just about the perfect family of apps to use it with. Their is a brief explanation in their blog post of how they are doing it - servers opening and such - which would make it seem like something potentially clunky and slow, but it's seamless in application. The only limitation here I've seen thus far is that, because it relies on off-site servers, it doesn't work if you don't have an internet connection. Under those circumstances the file you are dragging simply stops at the window split. If you have, or go get, these apps you can test that yourself by putting your iPad into airplane mode.

Readdle has a fairly long history of developing applications that recognize and address some of the limitations in iOS, and this is a nice example of that. I actually feel a little bad for them that the announcement of this capability came such a short time ahead of the WWDC announcement, which takes Readdle's drag and drop capability and applies it system-wide. WWDC also announced a Files app, which appears to largely do everything that Documents does. Still, Readdle puts on a brave face on their blog entry about WWDC, indicating:

It’s great to see Apple focused on unleashing true iPad potential, while adding some tremendous improvements to the dev tools and kits. People will enjoy the new experience on the App Store, get more apps, and do more stuff done with their iOS devices.

We will dig deeper during the week and come up with awesome ideas on what we are going to do with iOS 11 and Readdle apps.

Based on their history thus far, I suspect they are up to it.

Catrike Pocket Maiden Voyage by Erin Wade

Pocket ready to roll

The Maiden Voyage of the Catrike Pocket went well. I chose a route that I was already familiar with, that offers some elevation changes but avoids gravel (we'll try that out later). I was a little slower than my rides on the Cannondale, but this is to be expected, I suppose - the Catrike is about 11 lbs heavier than the Cannondale, there's a higher rolling resistance with the third wheel, and of course I'm still learning the new machine.


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There are several differences from riding an upright bike that became clear on this initial ride:

  • You sit low. This is a given when you look at it, of course, but when riding down the road you quickly realize that you are at eye level with the top of the grass in an unmowed ditch. The value of the bike flag becomes immediately apparent.
  • Because of the height difference, extra care needs to be at intersections to be sure you can see whether a car is there.
  • You cannot see into the cars as they pass you from behind - the angle is too steep. Oncoming traffic, however, is much the same experience as on the upright bike.
  • At first the act of pedaling causes a bit of torque steer. This goes away with some practice (smoother pedaling), but it's a real adjustment (enough so that it's mentioned in the Catrike owners manual).
  • Riding this is noticeably more of a leg workout than with the upright. This seems be due to the differences in positioning. On the upright you can stand up on the pedals, of course, but you can also use more of your upper body to supplement by pulling against the handlebars. It is possible to brace against the seat back, which offers a different but similar benefit, but I didn't fully sort that out until about two-thirds of the way thru the ride. I suspect this also contributed to the slower ride time; it will likelly improve with practice.
  • In relation to the above item, I did a lot more shifting than usual. Some of this, again, will likely pare back with practice. Still, I suspect more shifting is simply a part of the deal.
  • Because the rear wheel is right behind your head, you are much more aware of mechanical activity of the trike.
  • Steering is immediate and awesome - it's like riding a pedal-powered go-kart.
  • Similarly, the brakes are astonishingly quick. I don't know if this is because of the design of the trike itself, or just a feature of the disc brakes - I've never owned a bike with disc brakes. But in either case, it's noticeably different from my Cannondale.
  • This is the first ride of any length I've taken in years in which my hands did not become numb from road vibration. In fact the difference in controls and position was quite a bit more comfortable than on an upright bike.
  • Having a full seat back - even when it's made of mesh - results in your back getting exactly as sweaty as you would think.

Part of my route selection today was intended to minimize the likelihood of encountering much by way of traffic (seemed wise to do for the first trip out). However, I did come across a handful of cars. The first vehicle I encountered - a man in a Ford pickup - slowed way down. The expression of confusion on his face as he sorted out what he was seeing was priceless.

The differences here are just and only that: differences. I enjoyed myself a great deal - I am looking forward to many, many rides on my Catrike.

Catrike Pocket by Erin Wade

I am pleased to announce a new addition to the biking family:

Catrike Pocket

This is a Catrike Pocket - it's a recumbent tadpole-style trike. I have wanted a recumbent trike since... well, honestly, since I realized they existed.

In fact, I've wanted a three wheel vehicle since I first read about the Trident Trihawk in Car and Driver whiling away my study hall hours in the Mendota high school library (what was I supposed to do? Study?). And while teenage and early-twenties-me loved cars, I've also always loved human powered vehicles, and many of my early noodling designs included three- and four-wheeled, pedal-driven machines. I thought I was drawing something unique until the internet became a thing and the Human Powered Vehicle Association website showed me that I was just one of many who had such things running through their heads. Fortunately, some of those others (unlike myself) had the technical know-how to actually build the things they designed.


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Several companies build recumbent trikes. In addition to Catrike, I am aware of ICE, Scarab, and TerraTrike available in the US (and there are probably others). Like any specialty bike, however, recumbent trikes tend to run in a price range well outside of what you will find for a bike in your local big-box store. But this lovely blue Catrike popped up on eBay and offered an opportunity well below what they cost new, so I let myself be taken along for the ride.

And along for the ride is where I will be today as soon as I finish a bit of coffee and sort out how to mount my phone to the trike (more on that later, most likely)...

The Boring Company - Travel Transformed? by Erin Wade

A few weeks ago Elon Musk tweeted about a new project called The Boring Company. The tweet included a link to this video:

I'm a fan of Elon Musk and his projects, but initially, this seemed a little nuts to me. A lot of energy would be spent here on a project that has other, similar answers, available - why make sleds for cars when trains already exist? Why underground when highways and roads have already been built?

But I spent much of the past week driving on those very highways, all of it fortunately uneventful, but encountering and seeing what we are doing in that environment, and having time to think about those things. As this went on, the Boring Company concept started to make more and more sense.

Among the things that make transitioning people to public transportation challenging is the fact that people dislike changing modes of travel. When a trip involves a drive in the car to get on the train to get to the airport to fly to the place so that you can take a bus to rent a car... people quickly seek out ways to decrease the number of transitions from one mode to the next - e.g. Just drive to the airport, and rent another car when you get there. This is true even when the multiple transition trip would be shorter and ultimately take less effort (e.g. by offering multiple passive, non-driving legs to the trip). The Boring model offers the perception of one travel mode you get in the car when you leave, and arrive at your location in that same car.

This model removes the anxiety surrounding how one will get around once one arrives at their destination. As someone who enjoys using public transportation when I travel (having little opportunity to use it at home), I can testify that this is a real phenomenon. One must research and understand the public transit options where one is going before arriving to understand whether it will be sufficient for getting around, and whether one can adequately master it quickly into the duration of a trip. Public transit systems are different enough from city to city that knowledge of one definitely does not translate entirely to the next - understanding the subway system in Boston does not necessarily prepare you to use the L in Chicago. To make that more challenging, since these systems are oriented towards locals, by far their primary users, they often offer information on them that is abbreviated or incomplete because the regular users do not need a complete explanation to know which train or stop is the one that they need (not dissimilar from the maddening habit Chicogoans have of referring to the highways by their nicknames - the Dan Ryan, the Stevenson, etc - which no one outside the city uses).

It also removes many of the real world limitations that would come with the introduction of the self-driving car. This is a technology that we are increasingly led to believe is inevitable, and one that in some ways I embrace. But there are many real-world issues to sort out, particularly in the hypothetical transition period during which some cars on the road are self-driving, while others remain operated by humans. This doesn't come up much in the pie-in-the-sky discussions surrounding self-driving cars, but the reality is that, while a world in which every car is self-piloted may represent an automotive utopia, the one in which, say, 30, 50, or 70% are self-driving, and the remaining portion is not, is a very different thing. Imagine, if you will, if you were sharing the interstate highway today with horse and buggy and bicycle operators to picture what I mean.

Instead, the sled system is hypothetically platform agnostic. Whether I'm driving my dream of an ultra-modern Tesla electric car, my current day Honda Fit, or a classic 1965 Buick Riveria, I can simply pull up on the sled and ride along.

And, as the concept video shows briefly in the background, there can be multiple sled designs, with some of them being enclosed with seating - very much like a high-speed train car (allowing for Musk's Hyperloop concept). This would allow non-drivers - a growing group in our nation - to use the same transportation system as everyone else.

Because it is platform agnostic, it means that everyone who owns an automobile gets the benefit of the system as soon as it is in place, not having to wait for the price of self-driving technologies to reach a cost level the average person can afford. And assuming that it is electrically operated (which is suggested in the video, and by knowing a thing or two about Elon Musk), and that we continue to advance as we have been with the transition to alternative energy sources (not necessarily a safe assumption, I am aware), it represents a potential significant drop in the use of fossil fuels, even when used by gasoline or diesel vehicles. Most of the trip between locations would be on the sled, leaving the fossil fueled travel to the relatively short distances between the end of the transit line and the final destination. This opens the door for a potentially significant reduction in damage to the environment, as well as to reduced reliance on a type of energy largely sourced from extremely volatile regions of the world.

Reduced time with human operators at the wheel would make each trip safer. Driving is an inherently dangerous activity in which the bulk of the risk is presented by the human factor in the mix. While this approach doesn't necessarily entirely eliminate that human factor, it would significantly reduce the amount of time the human is operating the vehicle on longer trips. This decreases the risk statistically on its own, but also reduces factors like fatigue, since the vehicle operator would be able to rest and relax for large portions of the trip.

It also reduces or removes the factor of human attention to vehicle maintenance, which is a definite safety concern. One does not have to spend a lot of time on the interstate highways to see vehicles blowing smoke of an unhealthy color out of their tailpipes, or bouncing along on worn shocks for several hundred yards after a minor road imperfection, or with wheels frantically wavering, out of balance, within their wheel wells. The safety of your travel is hinged in part on the degree to which your on the road colleagues - the ones you swear at repeatedly (or is that just me?) - see to the care of their vehicles.

Which brings to mind the fact that this approach would also extend the life of your vehicle and decrease its maintenance costs. For each trip one takes that involves travel of any distance, the entire portion of that trip that involves your vehicle being on a sled is functionally equivalent to having it sit in the garage. This means no wear and tear on the vehicle for that portion of the trip - no tire wear, increased time between oil changes, and no mileage racking up on the odometer. Cars already have considerably longer lifespans than they used to, and for those who travel longer distances regularly, that lifespan would increase, and the cost of operation per trip would decrease, markedly (though one assumes there might be a cost to use the sled transit system, which might offset the latter portion a bit).

Upon initial exposure to Elon Musk's tweet, I have to admit that, at first I had a reaction similar to that of Daring Fireball's John Gruber. Still, as you can see above, as I worked through the thought experiment I could really see the value in this. Yes, it seems odd to work on a transit system for cars, but keep in mind there are people in those cars. This is a transit system concept that meets people where they are at now, but is flexible enough to allow for a transition to a future where cars may be less, or not at all, important.

Once I reached that point, where I was getting tied up in all of this was with the tunnels. It's the Boring Company because they are working on being able to reduce the cost and time involved in tunneling. And also because it's a very clever name, but the tunneling is the main point. It's all well and good to propose a tunneling system, but the benefits of the electric sled system could be realized above ground, and functionally integrated into our existing highway system with some modifications to those highways. So why add the complication of the tunnels?

I conducted the majority of this thought experiment while driving, and it was while driving that I began to realize where the benefits would come in with the tunnels - specifically while driving in the rain.

We deal with a wide variety of challenging weather conditions here in the Midwest - rain, snow, sleet, freezing rain, hail, not to mention construction season. These increase the hazard level considerably, as well as the travel time involved. The use of tunnels, as opposed to retrofitting a surface road, would essentially remove the weather (and construction) as a factor. This is a benefit (surface) trains - which I generally think of as the ideal replacement for our highway system - cannot claim. One only has to spend one multiple-hour delay sitting, unmoving, on the tracks because they are frozen, to realize this.

What's more, in rural areas like mine running the tunnels underground in place of the interstate highway system would free up thousands of miles and hundreds of thousands of acres of land for other purposes. In northern Illinois, for example, I39 alone, running from Normal to just north of Rockford, covers nearly 141 miles. An extremely rough estimate using GeoMeasure on a one-mile section of I39 suggests that a mile of the interstate - roadway, median, and and runoff area all-inclusive - represents about 37 acres of land. Assuming that is a fair sample, replacing I39 with a tunnel system would potentially free up over 5000 acres of land for other use. In more heavily populated areas it would remove the road noise and pollution effects of those highways as well.

So picture this, then, in the place of the interstate highway system. You drive from your home to a station that allows you to pull up on a sled, pull up an app on your phone, and tell it where you want to go. Then you sit back and relax, read a book, talk with your family, play a video game, watch a movie, take a nap, whatever, for the entire portion of your trip that involves the interstate drive. When you get to the station closest to your destination, you pull off the sled, and follow the GPS instructions for a few short minutes to arrive at your final destination.

Sounds very pleasant to me.

New TV by Erin Wade

I had finally come to the conclusion last week that our dead TV was not going to miraculously heal itself (again), and ordered a new one.

It has since arrived, and I've learned a few things in the process:

  • Though it doesn't sound like a lot, 40" looks a lot bigger than 32".
  • A decade of improvement in LCD technology, and moving from 720p to 1080p, makes for a noticeable difference in picture quality.
  • That decade of improvement also results in a larger television that is noticeably lighter in weight than its smaller predecessor.
  • As is true for so many things, having Amazon deliver a TV to your home is infinitely better than going to a store and hauling the thing home yourself.
  • Taking measurements ahead of time is vital. The new TV fits in the cabinet, but only just. It presses up tight against the sliding doors, and you would have to turn it if you wanted to access the manual controls on the side. Any larger and it simply would not have fit unless I were to take off the cabinet doors.

By way of comparison, here's a picture of the old TV in the entertainment center:

32" Vizio TV in Entertainment Center

And here's the new one:

40" Spectre TV in Entertainment Center

All in all, though it is not yet the big-ass TV that I want to have in the long run, it's an improvement in nearly every respect. It literally took minutes to hook up, and continues to work with all of the various and sundry devices that we had attached to the old one.

The only thing that doesn't work as before is the audio-out. We have the TV hooked up to an external sound system - an older Panasonic surround-sound set-up that continues to work quite nicely. This is fed through the analog audio-out port on the television. For the old TV the sound level on the audio-out was controlled through the television volume, while this one does not appear to be. What this means, in practical terms, is that we can no longer control the volume by means of the TV remote. And because I do not have a remote control for the Panasonic setup, I have to get up and walk across the room to change the volume.

Like an animal.

I've spent some time trying to get the old Vizio remote (which, unlike the TV, still works) to accept the programmable remote code for the Panasonic, but it refuses to accept it. Perhaps it is in mourning for its lost partner. There are other solutions, of course - you can find the Panasonic remotes on eBay, or I could pony up for a modern universal remote. Still - given the price that some of the universal remotes run, I may need to continue to be an animal...

Dead TV... by Erin Wade

Our TV seems to have died.

It's not clear to me why it has shuffled off, but it seems likely to be related to a power outage. ComEd has been in our region installing "Smart Meters", our place being no exception and, as one might expect, this involves shutting down the power to the house for a short period of time. But while the power is now back on, the TV is not. The little yellow standby light does not glow, and it does not respond to a touch of the power button, either on the remote or the set itself. I've tried unplugging and re-plugging it, tried different outlets (though everything else plugged in to the same battery pack/surge protector is running just fine), all to no avail. I'd try CPR, but it's unclear where to offer either the breaths or compressions... It's done this once before, and miraculously revived itself. I remember coming into the room and seeing that little standby light glowing once more. I've been waiting for that to occur again, checking periodically with diminishing hope each time, thus far to no avail.

This old soldier is a 32" Vizio purchased sometime prior to our move to our current home, which would mean before 2009. The vagaries of time make it hard to sort out exactly how much further before, but I'd guess at least a year or two, which would put this device right around 10 years of age. Not all bad, I suppose, for a television.

A lot of changes have occurred in TV technology since we purchased the Vizio. It was our first LCD TV, replacing a short-lived 30" CRT set with a flat screen that I had purchased from Sam's Club, and needed help carrying in, it was so heavy. Those changes, of course, include things like resolution and refresh rate, type and number of inputs, and so on - things that any tech geek will find very important. But the most noticeable change over the last decade is size. My 32" TV was certainly the biggest device with a screen I'd ever owned when I bought it. Now 55" TV's are relatively common, and Amazon carries sizes up to 98" (I mean, they cost $30k, but they do exist...).

Bigger - a lot bigger - is what I'd hoped to do when I decided it was time to replace this TV. I wanted something that really covered the wall - not 98", mind you, but as big as the budget would allow. But since The Fates, and not I, are deciding that it's time for a new purchase, things will play out differently. This is due in part to budget, given that this was not planned, but also due to constraints of space.

In a tale that has likely played out in many homes as the size of televisions has grown, one realizes that to have a very large television requires multiple supports and concessions besides simple purchase price. Because they are well beyond the size of anything that came before them, these monstrosities require either their very own furniture, or wall-mounting systems, either of which, at least in our case, requires a significant change in decor. It also means the cost of the large device isn't just found in its purchase price.

Our current, deceased television resides in our living room, housed in a fairly large and attractive bookcase and wardrobe-style entertainment center. It holds not just the television and its related electronics, but an array of books, games, and knick-knacks that maintain the illusion that the room is not simply the space we use to gaze at the screen. It also fits nicely into the decor of our 1860's era rural home. A large-screen device would mean not just replacing this piece, but also finding homes for all of the paraphernalia it holds. This is something we are not yet prepared to do.

So - I need a television that will fit inside the existing system. The space allowed for a TV in there is about 36" wide by 28.75" high (the entertainment center was built for CRT TV's, so depth is not an issue). This leaves me - a bit of a tech geek - in the odd position of shopping on Amazon for an electronic device based first on its physical dimensions, and only secondarily on its capabilities.

I ended up on this Sceptre TV. It turns out that, while we cannot have a truly big TV, we can have bigger. The bezels on the old 32" TV are pretty big in comparison with newer devices, so we can fit a 40" screen within that space. And given that I still hope to get something on a grander scale, I wanted something that was wall-mountable if I chose to relocate it in the future.

Usually I go for the biggest and the best that I can manage when purchasing technology - this typically pays dividends in terms of longevity - but sometimes it's more important that the tech fit into the way that you live rather than the other way around.

Using Apple Maps on the Lockscreen by Erin Wade

I am a regular user of the Maps app on the iPhone. I travel in the car a fair amount for work, and I routinely use it for navigation to new and less familiar locations. I will also use it even for trips to familiar locations because I like that it provides the projected arrival time, so I can tell if I'm on-time. If maps would actually also indicate my current speed it would be just about perfect. In short, I've got Maps up and running a lot of the time.

On my phone I use a protective case by Rokform that works with their mounting system, and I pair that up with the car mount that they sell. With this combination in place with a plus-sized iPhone you have a pretty decent in-car navigation system. The only downside is that, for longer trips, keeping the screen lit and the GPS running the entire time can drain down the battery somewhat, even with it plugged in to power.

I recently discovered a feature that, I will admit, may well have been present for some time, but it was new to me: If you lock the phone while navigation is running, the lock screen will light up with the maps app each time a navigation change is in the offing.

This means that the screen is dark for much of the trip, and so not using nearly as much of your battery charge, but that it will light up for you when you are, say a half-mile from the next turn, exit, etc, that you need to be aware of.

I noticed this because I was in a situation where I needed navigation, but my battery was rather low. My destination was one where I was familiar with the first two-thirds or so of the trip, but I was going to need help finding my way through the last portion of it. So I started navigation at the beginning of the trip (didn't want to have to try and enter a destination in while I was on the road) and shut off the screen, figuring I would light it up when I needed it. Pretty quickly into the drive I realized it was lighting up to provide directions, staying lit until I got through the change, and then going dark again until the next time.

I've since tried this for multiple familiar trips just to be sure it was happening reliably. It seems to be, and appears to work well. In some ways it can be a little more useful than simply leaving the navigation up on the screen for the entire trip. Under those circumstances the map is just something you glance at periodically. But with the lock screen on, it changes sufficiently to draw your attention (from blank to lit), ensuring you are consulting it when a change in direction is required.

HonShoop Bluetooth Earpiece by Erin Wade

A while back I bemoaned the lack of high-end bluetooth earpieces. I came to the conclusion at that time that my Jumbl receiver with cheap earbuds might just be good enough, and that was where my search ended. At the time, anyway.

Unfortunately, my Jumbl stopped charging a few weeks ago. At first I'd hoped that it was just that the charging indication light wasn't working but, alas, this was not the case. Now, to be clear, this was not the first generation device I wrote about back in 2015, but a more recent version I'd purchased since. As I noted in that original article, the first version had a proprietary charger - it looked like something you would use to charge an old Nokia flip phone. The newer ones use micro-usb to charge, which is far more convenient. I'd since placed the newer one into regular service, and kept the older one at my desk for calls at home (where I would be much less likely to lose the charger).

I've been happy with the Jumbl (although some users writing reviews on Amazon do appear to have had similar problems with devices simply stopping charging), so I popped open the Amazon app to order another. And I did, but while I was there I also perused Amazon's other options and suggestions, and came across this HonShoop earpiece:

IMG_1069.PNG

I'd never actually heard of HonShoop, but aside from my brief flirtation with Jawbone, I'm by no means a Bluetooth earpiece aficionado. It had good reviews, had noise cancelling features, and an on-device mute button, all for about $30. Seemed a good shot. And, thus far it is working well: sound quality is good, even in a noisy car, battery lasts about a week under my normal use, it's got multiple earpiece adapters to fit even my tiny, deformed ears... etc.

And I absolutely loved the fact that it had its own mute button. Turning on mute on the phone - a definite must-do thing when on a conference call in a car - seems considerably more challenging than simply tapping a button on your ear. And this works well, with the only downside being that the device wants to remind you that it is on mute every minute or so, and that audible notification - "mute on" - can block out portions of the conversation.

All of this is why I sat down this morning to write a review on the device - a couple of weeks in I'm pretty happy with it. Seemed reasonable enough, right? However, it appears the device is no longer available on Amazon. Based upon reviews, I'm not the only person to have ordered it within the last few months, so it's not as if there was an indication that it was a product at the end of its life, but there you have it. Perhaps I should have done more homework, but a google search after the fact finds that HonShoop appears not to have its own web presence. The devices are available from a couple of other outlets in addition to Amazon, but not directly from the manufacturer.

There are other (newer) versions of the headset, slightly different in apperance, available from the same company, and one or two others that appear physically identical to those with other company names attached to them (this seems not that unusual for such products on Amazon). The best I can say now is that if they are of the same design and build quality, and if they operate similar software, and if they have similar battery life, etc, the HonShoop earpieces are worth looking into.

Norse Mythology by Erin Wade

![Norse Mythology](FullSizeRender (3).jpg)

Neil Gaiman probably needs no introduction for regular readers. He is a prolific author primarily of fantasy and fantastical stories, sometimes bordering on horror (and sometimes stepping over that line with works such as The Graveyard Book). He has embraced a variety of formats, stretching out beyond novels and short stories and into comics and children's books. He collaborates with illustrators across multiple formats, often to great effect.

One of my personal favorite examples of this is The Wolves in the Walls. This is an illustrated children's book I read to my child so many times that I can simply close my eyes and immediately picture entire sections of the book. It's a delightful read that uses its illustrations not just to entertain, but to guide the reader - it's clearly meant to be read aloud, as the hand drawn text changes size and shape as stage direction for the intensity and volume the reader should employ. To this day I can say to my child "when the wolves come out of walls..." and get the response "...it's all over". The experience with this book led LB to seek out Gaiman's work as they were seeking out other material as well.

When I learned that Neil Gaiman was putting out a book on the Norse Myths I was both delighted and frustrated. Delighted because it's Gaiman writing in an area of long-held personal interest - I grew up on Marvel comics and I've always been particular to Thor (Hercules and Zeus can suck it). That had led me to seek out and read accounts of the myths themselves. I've returned to them again and again over the years, and I always find them as old friends.

Frustrated because I've always thought of them as fruitful ground for my own writing, well, you know, eventually. And here Neil f&@king Gaiman is, stealing my thunder (<--that's a Thor reference. Get it? Anyone??).

Turns out that the stories he presented here are different than I expected. For the most part he's hewed closely to the original stories, modernizing them slightly in terms of language, and fleshing them out just a bit where some additional detail is needed. It is, frankly, a demonstration of storytelling mastery - he knows the core of the stories are strong, and only adds what is needed to make them more accessible. It's a real service to these tales, which do reflect human struggles as shown in the lives of gods, but can sometimes be culturally different in a way that may make them hard for the uninitiated to follow.

As is typically the case, I listened to this book rather than reading it. There's an additional bonus here for the audiobook customer, because Neil Gaiman is a master storyteller. He routinely reads his work in public, and virtually always reads his books when the audio version is recorded. In a lot of ways, his writing style reflects this - he writes like a spoken storyteller, and while his stories are fine to read silently to ones self, they are virtually always improved by being read aloud, and never more so than when being read by Neil himself.

These tales are from a different culture in a different time. The motivations of the characters are unimpinged by many of the consternations that modern western audiences will be familiar with (though fans of the show Vikings will likely find similarities here). They are very much worth exploring, and never more so than with this opportunity - explore them with a master storyteller to guide your way. And - if you can - take the opportunity to do so via audiobook and let Neil take you all the way there.

Spring Forward... by Erin Wade

So it's time for the time change again.

Twice a year - essentially every time this comes around - it makes me think of WLS Radio).

Now - not the current, talk filled version of WLS, but rather an older, more entertainment oriented version of the station, the version I grew up with out on the prairie. Every year, twice a year, if you happened to be listening at the right time, you'd come across a host earnestly reminding you of the time change, and just as earnestly telling you either to "spring back" or "fall forward".

This was Jake Hartford, who was a weekend and fill-in host at WLS for quite some time.

What would follow his initial statement about this would be a series of callers trying fervently to correct his "error". Their efforts would be met by some variation of this explanation:

Look, it's simple: when you compress a spring, it springs back, and when you fall, you usually fall forward. That's how you remember - spring back, fall forward.

This would always be delivered in a perfect deadpan, which clearly caused at least a portion of the listening audience to think that he believed what he was saying was true. This perspective probably accounted for about 2/3rds of the callers, and a final third were the folks who wanted to chastise him because he would confuse people and cause them problems in the morning. He was unrelenting in his absolute certainty of the memory device throughout.

Sadly, I could only find the very brief clip above, which proves that it happened, but doesn't offer any of the wonderful back and forth.

I found the entire thing delightful each and every time, and I've been known to repeat the gag and then tell the story about where I learned it from time to time (if, by "from time to time" one means every time change, because it is never not funny. Never).

Memory is a funny thing though - I've always remembered this routine as being done by John Records Landecker (his middle name truly is "Records"), another prominent WLS and Chicagoland radio host. Searching for a version of it for this article, though, I've learned that my memory clearly was off. Not only did I not recall this being Jake Hartford, I actually don't remember the name Jake Hartford at all. I listened to hours and hours of WLS growing up, and I clearly cemented this routine into my mind, but I don't recall him. No slight intended - it's just the vagaries of memory.

Jake Hartford - Real name Jim Edwards - died a few years ago. His obituary included the reference to the Spring back, fall forward routine. This is the only way I was able to find even the short clip. Hard to turn up something by him when you are always searching for John Landecker...

Looking for New News by Erin Wade

I sincerely miss The Diane Rehm Show's Friday News Roundup.

I became a news junkie when I was in college. The first Gulf War happened during my time in undergrad. I discovered CNN during that event and, probably more importantly, CNN's Headline News channel. There was a large projection TV in the student union that happened to be in the seating area of the fast food restaurant at which I worked. Once the Gulf War started Headline News was running on that TV much of the time. When I was away from work I found myself turning it on at home as well.

The Gulf War eventually ended, of course, but my attention to news events carried on. In addition to TV I listened to early talk radio - mostly WLS in Chicago) when it rode the wave of conversion from Rock to Talk that seemed to be started by Don Wade (no relation) - and read magazines. As time went on I discovered NPR and found that between Morning Edition, Talk of the Nation, and All Things Considered one could keep the news spigot flowing throughout the day. Radio ultimately won out over TV because I could do other things while listening.

Keeping that spigot flowing every day is something one can do, but it doesn't mean that one necessarily should - it is possible to get drowned in all of that news. While it can be somewhat interesting to be that person who knows who the US Representative is for the third district of a state one has never visited simply because that person is involved in a news story one has heard, it also follows you throughout each day, and can reach the point where it is hard to escape. It's good to be informed, but it's not good when you are wondering about the fate of the McCain-Feingold bill in your spare time.

Probably the only truly useful thing I took from The Four Hour Work Week was the idea of scaling back one's news consumption by getting information from weekly news summaries rather than trying to catch it all over the course of the week. This approach ensures that one remains informed without being washed away in details that may or may not ultimately turn out to be relevant. Ultimately, learning how to do this made me a happier, more relaxed person.

The Diane Rehm Show's Friday News Roundup was, for me, the perfect way to manage that. Diane (or her guest host) would review the week's stories with a panel of journalists. The group had clearly done their homework, and could speak in detail on the topics at hand. Sometimes the group would include a bit of spice as well, such as when David Corn would join and argue with, well... almost everyone. And, as luck would have it, Diane's show was available as a podcast, which removed the need to be listening at a specific time.

Diane Rehm retired at the end of 2016, and with her the Friday News Roundup as well. This left me in a news drought, and this during a time which, arguably, being informed is extremely important.

What I needed, then, was a news program that was fairly objective, came out as a podcast, and offered a perodic (preferably weekly) summary of the news. This turned out to be a harder hill to climb than I expected. There are plenty of news podcasts, of course, but something that offers a summary of the actual news, as opposed to an array of pundits providing their opinions about said news, well - that's more difficult.

For now, I've landed with On Point with Tom Ashbrook. It has a somewhat different format than The Diane Rehm Show - more clips and cuts from the week past. Still, three weeks in I'm finding that it meets many of the same needs for gaining the week's information. Perhaps because it's NPR I'm finding that some of the panelists are the same - this week's show included Susan Page from USA Today, for example.

I'm still evaluating and looking, but for now this seems like home.

Legion and FXNOW by Erin Wade

Legion Promo

A week or so ago saw the premier of Legion on FX.

This is a show based on a character) that represents a deep dive into the Marvel comics universe. But this isn't your average comic book character (or show).

Like all of the best of storytelling, you'll be rewarded here by paying close attention to the detail happening as the show goes on. And you may have your trust shaken.

I was a kid, reading The New Mutants when I first came across Legion as rendered by Bill Sienkiewicz. The artwork was presented in a style that represented a frankly jarring change from both what had been seen in the series prior, and from anything I'd ever seen in a comic before. Jarring, yes, but in a magnificent way that opened my teenage mind to far more possibilities for comic art than I'd considered before. I continue to remember his art in a way that isn't true for many others.

The first episode of the new series maintains the spirit of that drastic artistic shift. It's delightfully, magnificently off kilter. I'd like to say more, but I don't want to give anything away - it's better to experience it directly.

But when you go to watch this excellent, twisted work of art, choose carefully. The first episode is available streaming through the FX Network's FXNOW app on your iOS device and, one assumes, also through other streaming options. It is also available through iTunes and Amazon Video. The first episode is free on iTunes and FXNOW (you can watch an hour of FXNOW without logging in). The season is $19.99 for HD on iTunes and Amazon Video. If you have a login from a cable or satellite provider you can log in through FXNOW and watch it there for "free".

If you want to live that way...

We watched the first episode through FXNOW. The app worked fine, and streamed the episode smoothly. Unfortunately, that's where the goodness ends. FX, in its wisdom, chose to pack six separate commercial breaks into the Legion premier, some of which contained up to 10 different spots in a single break. It structured the commercials so that there is an extended portion of the episode that occurs before the first break (the first taste is free, apparently), but after that the breaks are stacked on top of one another at fairly regular intervals. The breaks were all long, and distractingly frequent during the second half of the episode.

It's like the folks who set up FXNOW have absolutely no idea why people choose to watch video over streaming.

I highly recommend the show - that should be clear. I'd also highly recommend that you experience the first episode through iTunes (first episode is free, remember) if you want to try it out first, or through either iTunes or Amazon Video if you are sure it's your thing.


Update 2/26/17: Legion is now available on Hulu, with a much more reasonable volume of commercial breaks.

iPad at Work... by Erin Wade

For those like myself who use their iPads for work, it is always helpful to find out how others are using their devices. As time goes on the list of people doing this has been getting longer.

Over recent months Serenity Caldwell at iMore has begun looking into starting a column interviewing folks who use the iPad Pro for work. She interviewed herself for the first iteration of this, and gave some insights from the perspective of a person who does creative work as well as more traditional tech journalism.

Matt Gemmell, a tech writer and novelist has recently returned to the road of working on the iPad only, and has documented that series under the category iPad-only website. Like Frederico Vitticci has done over at MacStories, he chronicles both his experiences over time, and discusses using the iPad for different tasks.

I've also come across Denny Henke, writing at Beardy Guy Creative, who has put together his own ongoing series on the iPad at work, under the category iPad Journal.

For anyone looking to understand how to get more out of their iPads, and/or understanding what can be done with them and how, these sites are a good place to start, and to bookmark for future reference.


Update: The newest article in Serenity Caldwell's series on the iPad Pro at work is now out. Enjoy!